September 16, 2025
Hard rain on the roof, shooting out in streams where the gutter man failed. I must have been cold last night, for there were dreams of snow covered landscapes. In one, my sister and I stood by a frozen river competing in who knew the names of more Norwegian birds.
The creature in my garden was an iris-borer, the larva of a benighted moth. Sorry I didn’t throw it to the towhees.
In the last hour when they would have been visible, two bears cubs and their enormous mother came to visit. It puzzles me why they walk across the front porch rather than around, which would eliminate at least two climbs. Maybe they’re looking in on me. In any case, it makes night porch-sitting an adventure. They drank from the pond, frolicked, disappeared into the night, leaving me with a sense of benediction.
Alert for the failing of my faculties, I light upon the myriads of typos that crop up in my writing, more, I think, than in times before. In the last entry I mistyped the word “turkey” three times in three different ways. There are sometimes two errors in four words. Right now I mistyped “different.” I suppose editing solves the problem, but adds lugubriousness to an activity that used to be fleet as the wind.
SS writes in a press release about T's upcoming production: I've long believed that the subject of a play doesn't tell you much about it: something that sounds amazing might be so badly written as to be an utter bore, and something that sounds unbearable might prove funny and transcendent. And I had a direct example of that quite a bit earlier, when another of our great local playwrights, David Brendan Hopes, sent me a script about the Triangle Shirtwaist Factory tragedy. All I could think before reading it was, "Too sad! I don't want to have anything to do with this!"I hadn't read two pages of David's remarkable Washington Place (which I produced and directed at The Magnetic 10 years ago, and which opens in a new production at HART, coincidentally, in October) when, to my surprise and delight, I was having such a good time that I immediately knew we had to do it. For David hadn't focused on the horror, even though it was there; he had concentrated his considerable gifts on the lives and loves of the otherwise unknown victims, gracing them with intelligence and humor and a humanity that could not be denied. The results were astonishing, about which I'm sure those of you lucky enough to have seen it would agree.