28th Street

 

June 28, 2025

Big Friday. Hauled off to the Frick, newly remodeled and newly opened, which meant crowds and lines, as the demand for tickets was great. Arrived early, sat in Central Park watching the passing show until my entry time. They were filming a fashion shoot which involved a statuesque woman and a dog walking across the street in a provocative way. The dog maintained his dignity. The first painting I saw was El Greco. I burst into tears. Wept through pretty much the first half of my tour, as one profound statement succeeded another. El Greco moved me; a big Corot landscape, practically monochromatic, moved me. Turns out I remembered my long-time favorite, Bellini’s St Francis, backward, as he faces left instead of the right in my memory. The crowd eventually got to me, and the clever way it was arranged so that if you veered off to the toilet or to get a coffee you could not return for a second look. Kept the crowds moving. 

My taxi driver from Central Park, an immigrant from Ghana, mistrusts both progressives and populists, insisting that virtue must find some middle ground. 

The part of town where my play is (W. 28th and environs) is fascinating and even, by the lights of the City, homey. Arriving early, had time to cozy in and get comfortable at a table on Broadway, sucking down some intricate juice. I worried about taxis and such, but when I arrived, I found a subway entrance (which would whisk me to Times Square) on the same block as the theater. Everyone and everywhere reeks of weed. Nylon Fusion is, by the way such things are judged, long-standing and surviving. The TaDa Theater, which they rent, I guess, is squalid outside but business-like inside, almost indistinguishable from the theater where Jack and Bruce did my plays farther Uptown. In an evening of brief plays, you expect some OK and some better, maybe a clinker or two, but you also expect that in New York the quality would be uniformly higher. It was, but only by the merest fraction. They didn’t know me from a haystack, and yet chose my play, so I know the selection process is upright, but, still– these were all they had to choose from? The end of that observation was that my piece was by levels of magnitude the best. It got tremendous laughs (I didn’t know it was that funny), and, as I sat in the front row, I could see the exertions my actresses put themselves through to sell the show. My gratitude, ladies. They read the room correctly. I wanted a little archness, a little more subtlety; they correctly came as close to burlesque as they dared. They were, for that moment, right. 

Heading home, stopped at am open-air wine bar on Times Square, right beside the lighted flag, to sip Prosecco and take in night at the center of the world. I compared it to sitting by night alone on my front porch. There were resonances I could not in the moment explain.